DJ Mustard - 10 Summers. Mustard is a producer who has been behind a slew of popular tracks for folks like Y.G. and T.I. He is also one of those annoying guys who has to have the same little phrase intoned at the beginning of each song, with "Mustard on that beat, Ho!" at or near the beginning of every single song. (Although you might think it says "Muzzaonnabee oh.") Also, according to the Internet, Mustard is the guy who came up with having "Hey!" repeated behind a beat throughout a song, like in Iggy Azalea's "Fancy." No clue if that is true that he was the originator, but that element is definitely here in these songs. This album is collaboration victory lap of sorts for him - full of guest spots from YG, Lil Wayne, Big Sean, Jeezy, 2 Chainz, Rick Ross, etc. The hit is "Face Down," with Lil Wayne, Big Sean, and YG.
Look at that mustard bottle chain! Yes! The beats are definitely good, although there is not a lot of variation between them so that listening to a whole album bleeds together to where you aren't sure if the song changed or not. And the rapping is also uneven, as should be expected when 20 different guys are doing the lyrics. All of that in mind, this is the kind of thing to just bump to in the background without trying to worry about paying attention to lyrics.
T.I. - Paperwork. I kind of wish that T.I. had spent his time in jail more productively. Paper Trail was a freaking top notch album - Ready for Whatever, Live Your Life, Whatever You Like, Swagga Like Us, No Matter What, You Ain't Missin' Nothing, I'm Illy - with the exception of "My Life Your Entertainment," I thought every song was great. Since then? No Mercy and Trouble Man were both pretty mediocre (Ha!) and this new album is more of the same. It's not terrible, I still think T.I.'s laconic tone and smooth flow are great, and some of the beats on here are interesting, but when compared to Paper Trail, this is much weaker. The hit is "No Mediocre" with Iggy Azalea, but other than having kind of a cool Carribean steel drum, Miami Vice soundtrack vibe to the beat, its pretty dumb.
Random aside - it really stresses me out when people don't check their e-mails. I'm sure everyone has their own system, but I sat next to a guy at a dinner the other night and noticed that the mail icon on his iPhone had over seven thousand in the little red alert balloon above it. WTF! I'm sure its all spam and he totally knows what he is doing, but dude! Check your e-mails! What if Groupon had a great teeth whitening deal and you missed it!?!
Run the Jewels - Run the Jewels. I remember this coming out a year or two back (although Spotify lists it as a 2014 album) but I never could find it to listen to. I dig Killer Mike's solo album, so it sounded like a good fit to me and Rolling Stone liked it. But it is only now that #2 blew up and got a lot of critical love that I have actually heard the thing. I like it a lot. The beats are original and different with strange sounds like an F1 car speeding around a track. My favorite one features Big Boi - "Banana Clipper" and has an 808 thump underneath some echoing reverb-y sound that reminds me of running a record backwards. And Big Boi is a stud - love his tough sound. "Run the Jewels" is also a keeper, ominous synth with breakneck tambourine and similarly speedy flow about ganking someone's stuff.
Bobby Shmurda. I was driving into Dallas last fall and switched the radio over to K-one-O-fizzoh, like back in the days when I lived there. This song came on (apologies in advance for the language, but the radio version ("Hot Boy") isn't the video):
No comments:
Post a Comment