One Liner: Fantastic rapper with a chill vibe but some tough lyrics
Poster Position: Level 3 (7)
Both Weekends.
Weekend One - Friday; Weekend Two - Sunday.
Thoughts: I have been hoping that she would be coming to ACL for a few years, so I was pumped to see her make the cut this year. Simbiatu "Simbi" Abisola Abiola Ajikawo is British-Nigerian, born in Islington, London in 1994. I didn't hear about her until the 2021 album Sometimes I Might Be Introvert, so until just now I had no clue about her earlier albums. but she actually got started in 2015 and had already released three other albums before Introvert won her the 2022 Mercury Prize and several other awards over in England.
Her stuff is rap, but you can tell that her biggest influence is Lauryn Hill, because she adds in a lot of singing among the rapping. Surprisingly, at least to me, her top track is actually from the 2019 album GREY Area. I figured her more recent albums, with all of their critical acclaim, would be bigger. This is "Venom," with 117 million streams.
Little Simz - Sometimes I Might Be Introvert. This album has been an earworm for me for a while now. Can't get enough of it. It's weird, not a straight-forward rap disc at all, and it's not perfect, but I really can't quit it. From the power horns of "Introvert," to the laid back chill of "Woman," to the soul-sampling funk of "Two Worlds Apart," the opening of the disc is excellent. Well, and then the next song breaks out like it's a James Bond theme song before the beat drops. Fun stuff. The top track is "Woman," with 12.6 million streams [now up to 30.7].
Her flow just makes me so happy. Sounds like someone just having a good time and hoping that you do the same. I also have grinned at the voice mail outro repeatedly. PICK UP THE PHONE! "Point and Kill" is also a fun one - digs into her African background (she is British-Nigerian) with a good groove. The wild thing is that this is her fourth album! Never heard of any of it until now. Good on her. I haven't been able to quit this album so I'll let it hang around.
Those horns bust out like it's about to blow up, but then the beat slides in with a little wink and she starts off by citing Beenie Man. That bopping little bass line and loopy violin bit is just excellent. She just comes off as chill and fun and interesting. I don't think she is saying anything much in that track (unlike some of the others where she rails against the music biz) but it just sounds so chill! Good disc to just bob along to and enjoy.
A Tiny Desk! Hooray for the Tiny Desk!
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