In fact, I woke up this morning (a week after writing that review above) still singing "Scuse Me" in my head. "I don't, need no, body else, scuse me while I feel myself." This is the truth. And again, "Good as Hell" is the real deal song on this album. Between that and "Coconut Oil," she's just doing some rad self-empowerment action on this thing that I love.
The xx - I See You. Funny thing, this album. I was fully prepared to really dislike this thing and kind of hate listen along while coming up with snarky things to say here. Instead, I find that I actually like the record quite a bit. I had honestly never even heard of this band until this new album dropped and Twitter had a fit over how amazing it was. Well, that and the fact that every festival appears to have added them to the lineup. The best is the most popular track, "On Hold," which has 37.2 million streams so far and a super rad sample of Hall & Oates involved.
Anyway, these songs are all kind of longing and sweet sounding electronic pop. The guy behind the music is Jamie xx, who I previously reviewed as not being very impressive. But something about this does a better job of an 80's nostalgia trip, a feeling indebted to Molly Ringwald leaning against a brick wall and wishing for love. Whatever, I like it.
The Flaming Lips - Oczy Mlody. These dudes are so weird. I liked the weirdness on Yoshimi Battles the Pink Robots, but I haven't been able to get behind their stuff ever since. The closest this album comes to that same trippy, feel-unsure-to-be-happy rock is "The Castle." That isn't the most popular track, because Miley Cyrus sings on one called "We a Family," so hipster nerds have been listening to that instead. But I play you the one I like.
Ruth B - The Intro. I think Rolling Stone profiled this gal a while back. That is the only recollection of where she came from in my Q. My recall is that she became famous from a Vine and then a YouTube video that caught the eye of someone at a label. This is just a little 4 song EP, of very simple tunes full of soul and longing. The big hit from here, massively large over anything else she has released, is "Lost Boy," a clever take on the Peter Pan story put into a spare piano ballad. 178 million streams, with her next most popular down at 16 million. All four of these songs are good, but I'll give you the hit for your taste test.
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