No longer playing the Fest because he's a dope.
One Liner: Idiot rapper whose tracks all sound the same to me.
Home: Charlotte, NC (he reps his hometown so much I didn't need to look that one up).
Poster Position: Headliner!
Both Weekends.
And then, when he got called out by Questlove, his response was not any sort of apology or discussion with an exceedingly famous Black artist who has worked damn hard to create opportunities for a lot of other people. Instead, he went the absolute opposite way and acted like he's never even heard of Quest. His reply was this: "I ain't even tryna be funny when I say... I do not know who dis n**** is dawg. And I do not care ’bout losing you as a fan my boy lol @questlove. You or any other n**** who wanna play follow the leader. This superstar was a fan of is stand up n****, yeen never seen one of these huh?." He has also followed up the original statement, doubling down a little, to say that his gay fans do not have HIV/AIDS because they aren't "nasty gay n***** or junkies."
Again, idiot. WTF.
And in my opinion, it's not like he's special anyway. He somehow has nine albums on Spotify, but his first studio album was 2019's Baby on Baby. Here is my review of that one:
DaBaby - Baby on Baby. DaBaby is the hot new young rapper on the scene right now, and while I've enjoyed some of his cameos on other people's tracks, this whole thing of just him isn't very appealing. It has an intensity to the flow that kind of stresses me out - its not the Meek Mill thing where he just yells the whole time, but there is a staccato-ness and pace to the syllables that makes this uncomfortable to experience for an extended period of time. The hit from this album is "Suge," with 275.8 (513.6 now) million streams.
Until the beat switches up near the end, the beat for that one is pretty uninteresting. I don't know man, I'm not feeling the hype here. Will have the try out his new album sometime soon and see if it sounds any better.
And here is when I did just that, reviewing 2019's KIRK.
DaBaby - KIRK. I tried out his Baby on Baby album a few weeks ago, and I just didn't understand the excitement and appeal. This one connects a little better - feels like he's coming up with a real sound instead of just spitting whatever he feels like. I like "INTRO." "TOES" has a cool beat with a touch of cowboy flavor (even if the rap itself isn't interesting). I don't like many of these tracks - I'm not sure what he dislikes about good choruses. Come up with a good chorus, man! Even where he has a chorus, it sounds exactly like the rest of the song, so it takes a sec to realize this is more rap you have heard before. Very weird. Interestingly, none of his collaboration tracks are nearly as popular as several of the ones by himself. You'd normally see the opposite, but for some reason his collabs (with Nicki Minaj, Lil Baby, Chance and Gucci Mane, Kevin Gates, or Migos) have significantly less streams. Top one is called "BOP," with 184.7 million streams (now at 558.5 million).
As I watch that video, I can't help but think that they have specifically created those background dance moves to become a TikTok thing. And then I realize that my daughter has probably listened to this song 50,000 times while she has practiced those frighteningly suggestive moves. I like the video though! A better album than the last one, but still nothing that feels like I need it in my life.
Since those discs, he released a new album in 2020 called BLAME IT ON BABY. I have not reviewed it, mainly because I don't care about this guy. I especially don't care about him now, but let's take a look at the top track, because it has over a BILLION freaking streams. This is "ROCKSTAR" featuring Roddy Rich, with 1.2 billion damn streams.
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